A birthday gift


39 years ago today, an infant girl child saw the light seeping through the womb she'd known for many cozy months. Muscles shifted and subducted like tectonic plates, blood and hormones swished and swirled nosily, surely awaking this infant girl child from her creation slumber. It was time to move from this life to the next, from her human mother's belly into her human mother's hands. 

Kelly is 39 today, wherever she continues. She was a lover of birthdays, happy to celebrate her life. She often took to sunrise drives to some body of water or a hike to a tall vista to catch the very first rays of sun that marked the next go-round. Her next year. Her life. Oh, how she owned it. Today, in honor of her, I renew my vow to do the same. More owning, more celebrating, more watching the waves, more seeing it all from above.

Also, I made you a gift. Last night, I spent a few hours combing Kelly's online presence for her birthday posts, and I've put them all together for you with links (click on the dates below each photo). Please enjoy spending time with this medicine woman.

2017, age 37



2016, age 36




2015, age 35


2014, age 34


The rest are links to her blog:


2012: The Birth of a Day



2011: A Day in the Life: Birthday Edition






2010: The Day Umber Turned 30



2009: The Polls are Open and I had Great Hair


2008: Birthday Month

2007: Untitled, near her birthday




Happy Birthday, Babe. I shall see the salt water this morning and taste the goodness of a meal and the love of our women...in your fabulous honor. Forever.




Best Of 2018: Music for writing



I need music to write.

Music, I've discovered this year especially, makes all the difference in my ability to get into the emotion of what I am writing. (I'm even considering making a suggested playlist for each chapter in the book I'm currently writing). This year, I've been able to compile my go-to music for writing, but I have two different playlists depending on the kind of writing I'm trying to accomplish.

Music while working is tricky for me because I am also extremely sensitive to auditory stimulation. I was one of those college students who would trek to the library and plant myself into a desk with the walls all up around it, just so I could have near total silence. But now, since I work at home and have a lot of solitude, sometimes that silence can be deafening, demotivating. That's when I discovered that a certain type of music actually would really help me - it had to be wordless, ambient, but also have driving beats and a strong sense of emotion. I needed to be placed into the other world and music transported me.

So, for writing where I am needing to get things flowing and moving, to really get it done, to do a lot of editing for stuff already written, I've complied this Write: Produce Mode list. It's full of Tycho, Ulrich Schanuss, Brian Eno, and more.





For writing that's meditative and painful (I am writing a book about death and grief and my dead best friend, after all), I created Write: Temenos Mode. 'Temenos' is a Greek term describing a piece of land set aside for kings or reserved as sacred and protected. Carl Jung used it to describe a personal container, sense of holy privacy, a protected space where creation happens (just writing, no editors or judgments allowed). This music is also great for tarot pulls, meditation, and naps!




I'd love to hear any more recommendations!
Get writing.

crm

Best Beauty/Skin Products of 2018



Continuing in my "Best Ofs" for 2018, here is my recommendations for skin and makeup products that I fell in love with this year.

I've been more focused on skincare (hello, 40!), so I did a lot of investing and testing. Here's my results in video format:



Product Links:

I have several new makeup products and tools I'm loving, too. (That's an epic thumbnail pic, haha):


Product Links:

Earrings are by Lynzee Lynx

Any questions? Any recommendations for stuff you love/found this year?


Best Books of 2018

I'm feeling inspired to share some of my "Best Ofs" for this past year. I'll start with books!


The fiction novel, "Freshwater" by debut author Akwaeke Emezi was such a thrilling story and imaginative concept, delightfully disorienting. What if several gods took up residence in one person - what would that do to their actions? It's about the inner life of a Nigerian woman, Ada. Mysterious and mystical, this book lingers with me still, months later.


I'll read anything by the formidable Jesmyn Ward, but "Sing, Unburied, Sing," gives me chills just remembering the ending. This fictional account of a family in rural Mississippi on a fateful road-trip. As the family drives to retrieve the father from the local prison, the teenage boy encounters a ghost that only he and his gifted baby sister can see. Ward's fascination with the way the living and the dead interact is gripping, and fuel for page-turning.
Elena Ferrante's fictional Neapolitan series, which starts with "My Brilliant Friend," was recommended to me by my friend Niki and is confusingly addicting. We've both discussed how strange they are to read - how intricate and detailed. And how they shouldn't be so interesting, this account of a decades-long friendship between two girls from Naples, but it is. I'm finishing up the fourth novel now, eager to see how it will all wrap up. What I like about the series is how she shows the complexities of life as a woman and her relationships. It's also highly entertaining AND is now an HBO series (though, of course, the books are so much better because of the richness and timber of Ferrante's voice).


Now for the non-fiction/memoir:



Nina Rigg's "The Bright Hour" will leave you utterly undone. She wrote it from the time she was diagnosed with cancer to just weeks before she passed. Riggs is an artist, masterfully crafting some of the most tragic happenings with a killer sense of humor, profound depth of insight and intelligence, and admirable restraint - it would be so easy to rant and rage, with every right to do so, but she doesn't. I wept when I finished, and not just because she died, but because it was such a deeply beautiful book and an example of how impactfull I want my own book to be. A favorite passage of mine:

“I am reminded of an image...that living with a terminal disease is like walking on a tightrope over an insanely scary abyss. But that living without disease is also like walking on a tightrope over an insanely scary abyss, only with some fog or cloud cover obscuring the depths a bit more."

And another:

“For me, faith involves staring into the abyss, seeing that it is dark and full of the unknown—and being okay with that."




"The Shame of Loosing," by my friend and local author Sarah Cannon just came out and I devoured it! This is the account of Cannon's living through her ex-husband's traumatic brain injury - back when they were in their early 20s and had two small children. What could easily be a rant by a woman put upon by shitty circumstances is in fact a thoughtful and introspective journey that I loved reading.


"California Calling," by my very-dear friend (and mentor, but shh! don't tell her), Natalie Singer, surprised me. I mean, she's my friend (I'm lucky because I'm in a writer's group with both Singer and Cannon), so I am going to like it - but it is a fascinating piece of art that I wasn't expecting to find so thought-provoking. Here's my Goodreads full review:

California Calling: A Self-InterrogationCalifornia Calling: A Self-Interrogation by Natalie Singer
My rating: 5 of 5 stars

"Every time I open my mouth in public to speak, it feels like I am on a witness stand. My chest tightens and my heart crawls up my neck. Even when I'm asked something as simple as my name, it seems like I'm being asked to account for everything that is."

When the narrator was 16, she was asked to testify in family court and she found herself totally mute. This is a pivotal moment in her life, the losing of her voice. The book takes the reader through the beautiful, confusing, complex journey of Singer finding that voice all over again.

I marvel at how Singer was able to see into her memory with almost shamanic magic, reclaiming the soul and spirit of the moments, in addition to the details. She had no fantastical events in her life from which to draw on, but her life, like every human life, is fraught with story and rich in curiosity. Finding the magic when looking back at one's own life is so hard to do - and she inspired me to do the work of forcing a re-frame. How Singer knows what her reader will find interesting is part of her sneaky greatness.

Singer feels almost tangible. She appears before me clearly; sometimes I am her. I'm sweating on that hike in the desert when her boyfriend randomly sits down in an old, used chair and wants to reclaim it; I'm in the car during conversation she had with a California ranger in the moment where she reclaims her voice; I'm a witness on the street when she faces off with the bitch in the car who won't concede. Singer's meditative pace is a joy - in her subtle capturing of the mundane and infusing it with color and movement, not unlike a painter would paint. Not unlike standing in front of a work of art at a museum. There is so much more than we are seeing, and we know it.

The form also excites me; reminiscent, I think, of the artistry and genre-bending form ala Lidia Yuknavich's The Chronology of Water or Abigail Thomas' Safekeeping: Some True Stories from a Life.

The language is sometimes poetic in lyricism, other times journalistic in concision. And while it feels like a gentle read, Singer's searing intelligence and the things she does not say…they cut deep. A gentle cutting, I suppose - but Singer has enough love for her fellow human to sew them back up again in the end. Instead of bleeding out, we close the book with a gift: an invitation into deeper introspection, nostalgia, and sweet little wisps of our own life's story-ghosts.

_____________________

What are your best books of 2018? 

p.s. I've linked all the books to Powell's, in the hopes that if you purchase - you'll buy it used, and hopefully from an independent bookstore. I'm trying to wean myself of the convenience and monopoly of Amazon.com - and books are the easiest way to do that. Let's spread the love to the little bookshops.




The lasts



Today is June 8. On this day last year, I sat at this very table in this very coffee shop. I awaited Kelly, who texted me 20 minutes earlier, "Hi you. Any chance you're free right now? I've just finished at the Tummy Temple and have an hour until I see Aylee."

"I'm at Cafe Kopi, come on up," I texted back.

She sauntered in, ordered a green juice, and flipped her hair as she sat down across from me. We'd never met here before, I had only just moved to the neighborhood and was trying out new coffee shops. She was impressed with the juice, and I was happy that my espresso wasn't bitter.

It was that day, that conversation, that cup of coffee...when the news really began to go downhill, gain momentum, fuel the worst anxiety of my life (and also marks the day I stopped drinking caffeine. Anxiety and caffeine hurt each other). Ever since we'd returned from Maui a month ago, she'd been fearing that her lungs were filling with malignant fluid. She was getting winded just trying to walk from one end of the house to the other and it was not improving. She would be going later that day for a scan.

She hugged me and sashayed off to her day.

Bad news came in. Worse news followed it. She died five weeks later.



June 8, 2017                                                                                   June 8, 2018         


I couldn't come back here for months following her death, avoiding the last place we were okay, when everything was fine.

There are so many things the same. It's gloomy today, just as it was one year ago. I am wearing a gray sweater, same as last year. Hair newly bleached, again, the same. I've been here several times since and it hasn't changed at all in a year. The traffic from Lake City Way continues, the bell on the door rings with every entrance and exit, my black decaf (sigh) Americano tastes the same. Motherhood is kicking my ass, just like June 2017.

And just like last year, I feel the need to fight but cannot find anyone's face to punch. There is no enemy here, just as there was no enemy then - not one I could battle, anyway.

Death would have claimed her at some point, just as it will claim all the hearts I love. I am learning how to live with death, but I am still ruined by the how, the when. The difference is that I know her how. I know her when. I would do almost anything to not know those things. To go back to this date one year ago when my worries were about wanting to be a better mom to Bowie, which I journaled about. Every single entry since then has Kelly's name in it.

Everything continued on without her, a feat I swore would be impossible.

But just like with Love, Death performs the impossible.


I feel my physical system going through these adrenaline spikes just like this time last year, when we were ramping up for...we'll, we didn't know what. I am ramping up again, awakening to phantoms, echos of bad news. Reports of this same phenomenon are coming in from the other women, too. The body does indeed keep score.

"The world was ending," texted Jess recently. "Because her world was ending."

Of course we didn't know that then, but we did feel the tidal wave of something approaching. And as the five-week countdown to the one year anniversary of her death begins, that inkling builds again.

Perhaps this is what to expect every year: a reliving, a reprocessing, a re-experiencing that my body must go through. Grief people say so.

The last few weeks, I've been happy. Curious, even...about these weeks approaching. What will they feel like? Making plans to commemorate so many lasts...the last coffee date, the last day she hugged Joel in the entry way, the last time she ate at my dinner table, the last text, the last voicemail, last communal meal at Niki's, the last time she and I spoke alone.

I miss her, so I wanted to relive it. I invited myself back into hell. And so here I sit, brick after brick of lasts piling on top of me.

Elizabeth Gilbert recently posted about loosing her wife to cancer earlier this year and it's haunted me ever since:

"Here is what I have learned about Grief, though.

I have learned that Grief is a force of energy that cannot be controlled or predicted. It comes and goes on its own schedule. Grief does not obey your plans, or your wishes. Grief will do whatever it wants to you, whenever it wants to. In that regard, Grief has a lot in common with Love.

The only way that I can “handle” Grief, then, is the same way that I “handle” Love — by not “handling” it. By bowing down before its power, in complete humility.

When Grief comes to visit me, it’s like being visited by a tsunami. I am given just enough warning to say, “Oh my god, this is happening RIGHT NOW,” and then I drop to the floor on my knees and let it rock me. How do you survive the tsunami of Grief? By being willing to experience it, without resistance.

The conversation of Grief, then, is one of prayer-and-response.

Grief says to me: “You will never love anyone the way you loved Rayya.” And I reply: “I am willing for that to be true.” Grief says: “She’s gone, and she’s never coming back.” I reply: “I am willing for that to be true.” Grief says: “You will never hear that laugh again.” I say: “I am willing.” Grief says, “You will never smell her skin again.” I get down on the floor on my fucking knees, and — and through my sheets of tears — I say, “I AM WILLING.” This is the job of the living — to be willing to bow down before EVERYTHING that is bigger than you. And nearly everything in this world is bigger than you.

I don’t know where Rayya is now. It’s not mine to know. I only know that I will love her forever. And that I am willing."



Meet me for coffee, Dove?

`-crm


Happy Birthday, Kelly




Dear Kelly,
Happy Birthday, Dove! You were always the best at celebrating birthdays, yours and others.

Today, as I was enjoying some quiet morning yoga and meditation in an empty house, the sun peaked out and shined right on my face. Like right on it! It felt like a massive gift and got me thinking about you and the birthdays and get-a-ways and celebrations we've shared the last 10 years.

Remember this platter you made for Jess, Niki, and I two years ago at the Octopus Hole house?


I could stare at that perfectly sliced fruit for hours, conjuring up images of your hands holding a knife, cutting for days. This was your quintessential meal in summer or spring. In winter or fall, always a hot bowl of nourishing soup or stew with your homemade sourdough bread.

You fed us so well.

I feel quiet today. My thoughts wander to your mom...how this day 38 years ago, she pushed you into this world. What did baby Kelly's cry sound like? Were you scrawny or chubby? Did you eat right away or take your time learning to suckle? (I see you smirking. I know, I hate that word too...suckle. Which reminds me of a recipe of yours I read recently where you said "frothy" and then "god, I hate that word." You always left little notes like that. I'd ask for a recipe and it would be laced with goofy comments throughout...thank you for leaving breadcrumbs of yourself all over my life.)

We went out this weekend for your birthday...it was strange. You were so present it was distracting.  We ordered all the things and tried each other's food like always. When we let Brad choose the bottle of wine (because as you know, Joel choosing bottles of wine could put us all in debt, so we let Brad choose since it was your bday and you'd be the one choosing), the server brought three glasses. After the first pour, Brad asked her to bring one more glass. He poured out a taste for you, and just like that, all eyes were red and wet. "Here's to you, babe," he said.

The first time we went out for your birthday was to Salty's. Brad had won a gift card for the crab brunch and so we went there on a Saturday, you in your flower DVF maxi, and ate a shit-ton of seafood. That's what you always want for your bday, some seafood meal with oysters, please. The last time we went out for your birthday meal, we were at Copine - ogling each other's plates, ordering too much, chatting about home-ownership.

On your actual birthday, you would have gotten out of bed at some ungodly hour to see the sunrise, over a mountain or at the beach. I just spent time lingering over this post you wrote on your 34th birthday. You would have made a day of it, and I feel sad that I can't do that today, that I didn't plan for it.

But then I ask myself, what would you have done? And I answer that I could have gotten up at sunrise, taken myself out to breakfast, taken the day off work to meditate and embrace grief, flew to Costa Rica like we always said we would, write this damn book, establish a foundation in your name...you know, all in a day's work. I jest, but that's the truth. All of the rituals and trips and doings in the world will not be enough to express what you meant to me, never enough to feel like yes! I've finally honored Kelly.

Even today, I want to write something epic, something profound. A wisdom bomb, you would say. But I don't have anything. I am surviving off of breadcrumbs and it's taking all my willpower to not post every single bday picture and tell every single bday memory right now...but something hungry inside of me halts. I will need that nourishment. There's a lot more birthdays without you we'll need to get through.

So I will honor you in the small ways. A hot cup of chamomile from a mug I bought thinking of you. Hugging my legs to my chest in the galaxy leggings you wore. Maybe meticulously cut up some fruit and veg for lunch. Meandering through your blog and Instagram posts.


And write you a letter.


Always your friend and partner in birthday bashes,
crm




Found: a Spring letter


We just passed the 14th of the month and for the first time, I don't immediately know how many months ago Kelly died, not without counting. Curious.

Did I tell you? I am writing a book. A book about Kelly and our friendship and grief and her death and my unsatisfactory life without her. A life of bitter pain but little suffering. Part of that book will contain her hand-written letters to me (and hopefully mine to hers if I can get into her archives soon).

As I transcribe these letters, I found one that feels especially timely since it's nearly the same time of year that she wrote it, only 8 years ago. Every drop of ink is just so Kelly. Her letters were exactly like sitting down to a cup of coffee with her: she'd tell me about her purchases, how people in the country always gawked oddly at her, and we'd discuss our latest developments and research in gardening. Then we'd spend hours shopping for plants. Then she'd come over and help me plant them all.



Kelly was such a massive help to me. Without her, I feel like I am trying to lift 300 lbs of life. Maybe that's why I am always so tired. I've lost one of my main sources of energy and motivation.

I am a very amateur gardener, pots only so far. But my body is naturally awakening to this desire to plant again. Last year, it took all I had to plant a few herbs, strawberries, several tomato plants, and a shit ton of lavender when she got sick - simply because it made me feel close to her. Knowing that she'd be doing the same, working in the wild, if she could, motivated me. It was my medicine to her - to do what she couldn't.

We purchased several of those plants together at our annual day together in May, an edible plant sale. We've gone every year since 2012, and every year, Kelly's crate of purchased plants got bigger and bigger. We would walk back to my house and have brunch and a lazy day of laying in the sun, grab a hot dog for mid-day dinner, and do some sort of communal dinner that evening.

As I read this letter, smiling for the indelible Kelly Clarkness of it all, I thought you might like a smile too - even if it breaks your heart.
















I am missing



There once was a me
I knew

But you died and took me
with you.

In place of me, a new
confused thing will do

Strange things like
hoard your every shoe.

The earth you walked,
the dirt you knew

Stained on the bottom
of a boot no one else can have
but you.

But you, not here, left me to hide
those shoes.

Your quirky socks I wear,
Will they walk my feet to you?

The wise old owl of me used to have
the redwood tree of you

A tall and lanky perch
from which to view

The shirking prey, the darkest night, the darting truth.
Tell me, my guru,

What now? What can I do
without the branches of you?

"Stop," you say,
"refusing
to choose
another
muse.

For I left, but I am not gone," you say.
"And I have news for you.

I am more than tree.
I am all colors, spirit-hewed.

Stop denying that same is true for you.

I promise, my owl
Everything you need, you already have
deep, deep, deep inside of you.

Go plant a new tree,
the tree of you.

Please believe me, you would
If you could see you as I do.

Strong as stalwart, as in your youth
Firmly-planted, leaves true blue.

There is no way out of this
You must go through."

But I am blind, wing-bound.
My vision slight, talons eschew.
I cannot be as I was once used to.

For
I am missing,
I am missing,
I am misssing
you.

And
I am missing,
I am missing,
I am missing
me, too.


Frida and field trips



Last night, I lost it. Like properly. Like big, ugly tears. I couldn't see and I couldn't stop.

Last week, just a few minutes before leaving my therapy session, I lost it. Less ugly - there was someone watching, after all. But no less big and broken.

I broke down during those particular instances NOT because Kelly has died and is dead. Well, not directly.

Last week at therapy, I cried because my therapist asked me to identify some heroes for an exercise we are doing. I said Frida Kahlo almost immediately and when she said why, I choked on my sudden tears. I said because of her immense suffering and her wild power and her fucking resilience in the face of extreme tragedy and her ability and dogged determination to learn to paint and express herself from that place of persistence and pain.

I cried because I realized I had actually just described Kelly.

"Anger" an early prototype of a tarot card for a deck Kelly was flirting with making


Last night, I cried because I got an email from Bowie's school saying I wasn't picked to chaperone Bowie's first Kindergarten field trip. I not only wanted to go see a play with her, but I also wanted to make sure she was taken care of in the special way she needs right now (Kindergarten has been a tough for bathroom times). And for some reason, getting an email from her teacher saying, "I will take care of Bowie" made me weep. And then I wept for teachers who answer fucking emails all hours of the day after spending every ounce of energy on kids. And then I wept for the people affected by the California fires. And then I wept for the victims in Las Vegas and their families and friends...for Puerto Rico, for Spain, for Mexico, Houston, for women and minorities (and our climate!) in America under this President. And then I wept for this planet and the end of everything, how the knowledge that everyone I love will die means something different to me now and how it feels less hopeless but more deeply, deeply sad. And then I wept because there is so little time to get our life's work done and I've been wasting it. And then I wept because I am grief-tired and didn't mean to waste it and felt judged by myself.

And then I wept for Kelly and for how she was so much of my daily living and guide toward mystical lands and hand-holder on the mutually paced path of self-discovery and maker of massive salads and bringer of green smoothies and wearer of billowy skirts with combat boots and speaker of truth in the dark and preserver of privacy and believer in mother and then, and then...

sitting in the hot bath with cold tears running down my face,
I remembered when she told me that she thought I was doing it right. That I was a good mother.

That's when I lost it.
I wept for me.

For me, for me, for me. For Bowie not getting to know Kelly as an adult. For Kelly not being here to help me with my sacred altar. For all the new ways I'm required to be that I don't want to be.

And I didn't want to stay there because I didn't want to feel sorry for myself, surely other people's loss is greater - Brad, Kathy, Jay, surely it's not my place to feel sorry for myself, look at how beautiful a death we were given, look at the life she lived, look how I got to love her, look how rich this soil is, look at how much more color the world has, look, look, look!

But I couldn't lift my chin this time.
I couldn't look up
I couldn't look at other people's sorrow anymore. I could only see mine.
I didn't go looking for her in my tarot deck or the night sky.

And it was time to face the me part of the grief. Weeping for little Candace, young, pitiful, incensed, raging and indignant. I thought of Bowie wailing about a necklace she lost and I imagined what it would be like to so unabashedly express loss.

Likely, it looks just like this.


Where she lives now.



I feel myself coming back to life,
if that's what you want
to call it. Life.

Seems like a massive stretch.
I resist and resent it.
I don't want to start putting the broken pieces back together
When your physical form isn't one of those pieces.
I'd rather stay shattered.

I said I could never go on
without you; here I am
though.
Going on.

I scry into this crystalline ball of murk,
a cocktail of guilt, anxiety, exhaustion, and excitement.

There are a lot of faces here.
They speak.
Where is mine? Where is my voice? Will I find it
without you here, megaphoning my voice back to me always
Gently holding, fiercely protecting, lovingly knowing
my desperate, soul-shattering need for solitude.

I scry into the eyes of women
new and old
and see such deep, knowledgeable, wild
pain. So comforting, reassuring
that you are still close.

My spirit rages against my ribs, tearing its own flesh since it has no garment to shred from its corpus.
But the anger has also taken a rest.
Now the fear, the fear that as the days go by, you'll begin to fade.
Writing that last line, "you'll begin to fade"' that's what finally got me crying again, after days and days.

I keep thinking about the title of a book that I might read.
"After the Ecstasy, the Laundry."
The what's next after we shared a moment standing at the veil and you held my face before you parted the curtain and said, "Find me in your imagination. I will always live there."

I took your hands, blew into them my owlwind, and trilled for you. Releasing you, yelling go.

And then you slipped through a white, gauze-like curtain.
But I lied, I didn't want you to go. I don't want you to go.
Please, don't go.

You did.
So now what?
Nowthefuckwhat?



The tears, after days of dryness.
Sweet, welcome
waterbathbaptism
The tears remind me of your hands again
holding my face.
And pointing me inward
to the you and me that is not under threat, scrutiny, admiration, interpretation, or definition.

"Find me in your imagination," you whisper again.
I ask the deck, where the fuck do you live now?
She says back "in your imagination."

So you've taken up residence in the most creative space of my inner self. Okay.

Truth sayer,
Miracle maker,
Heart breaker,
Death slayer,
I hear you. I hear you with my ancient owl heart and repeat it back.

Pursue yourself.
Pursue yourself.
Pursue yourself.
Pursue yourself.

That's where you live now.

-crm

The story of your death day



Later, I want to tell you the story of your Death Disco - how surprisingly beautiful it was for us all. But for now, I leave this here, the transcript of the story I told, the story of your glorious death day.

Photo by Kelly Clark: "Five Things Friday


"Join me in this sacred space as I tell the story of Kelly’s beautiful crossing over into the mysterious afterworld. For us, it was a day drenched in joy and wonder. The days afterward held considerably less that that, but on that one magical day in July - we were rebirthed by death.

It is my strong hope that you too will be given new life by bearing witness to this story.


___________________


When you took your last breath of this planet’s oxygen, I was in the back seat of my car with another man.

That "man" is your 1-year-old nephew, Roscoe. Your sisters Aubrey and Laurel, who Joel and I had just retrieved from the airport, were inside a store we’d stopped at en route to your home.


Joel was in the front seat when his phone rang. It was our Allison and I still don’t know the exact words she said, but Joel hung up 30 seconds later and I said, “What?”


“Kelly’s dead.”


The news, so perfunctory and unceremoniously delivered felt like the one time a Shaman used a massive owl wing to blow air onto my back and my face. The eerily powerful owlwind of you had washed over me.


I knew there was a reason I didn’t wear mascara that day. Kelly, I don’t think I ever will again. No, that’s a lie. I will and we will discuss it, forever. Because our particular flavor of soul contract was made of old wisdom, the worship of curiosity, attraction to mystery and self-knowing, the love of a well put together outfit, and eye makeup.


It was such a beautiful, hot July day and I had the car windows down. Joel got out of the car to intercept your sisters and I heard the most holy, sacred curse bellow from Aubrey.

"GodFuckingDamn it," she screamed, clawed her belly, and bent over.


Laurel was stunned silent, frozen, a hand covered her mouth, grasping for the impossible breath.

_______________


About a half an hour after you passed, we pulled up to your house after what felt like the longest drive of my life. Your dad was sitting on the steps, ready to receive us. I quickly hugged this man I had never met but always knew, left him to greet his daughters, and made a B-line for you.


I ran into Allison, who was rose-colored with pain and also hugged her but couldn’t linger even for a second as those long-ass tendrils of your crone hands grew from the bedroom down the hall into roots and vines around the corner, winding around my heels and neck - pulling me into your death embrace.


I crawled onto your bed and grabbed your face and Oh! Oh! I was so happy for you. I kept whispering in your ear, “I’m so happy for you, I’m so happy for you, You did it! You are so brave. Oh this is so interesting!”


I wailed, so says Robin - though I didn’t hear it and it wasn’t even nearly as loud as it needed to be. I kissed your soft skin and whispered to you.


I worshiped this ultimate act of self-love, to know and trust that this is for you and for you alone and everyone you were worried about and holding onto this life for - that we are all going to be okay - we will take care of each other as you orchestrated.


Brad stood up from his seat at your right, and I grabbed your hand. I held it forever, kissing it for so long. Noting that we needed to do your nails.


I grabbed a file. I knew we wanted to prepare your body for the last most important event of your life, your death day...and as you told me, you needed to look good.

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It was time to call the women to us. After a few hours, they all arrived. We all wanted to spend time with you, bearing witness to this moment. I also felt you wanted time with us, for us to see and be and love on a Kelly free of that GodFuckingDamnit cancer.  


We celebrated, and continue to celebrate, your liberation from: ketogenic diets, chemo x 3, broken back bones, lymph-edema, radiation, deep fatigue, crippling anxiety, persistent nausea, no appetite, not being able to breath.


And yet that body still felt so impossible to let go of.


Because despite all it had not done for you and for us, it was also so glorious, always poised and stretchy and confident and perky and olive-skinned, willowy, strong, and whole.


As I filed your nails, there was a moment we got to be alone. You asked me to play "The Miseducation of Lauryn Hill" and I was like, “Really??” And you were like, "Yes bitch."

I laughed, and we hung out with Lauryn.


And soon the ritual began.


Your mother brushed your hair and put lavender oil in it - clipping a small locket of hair for keepsake. We wandered your property for botanicals and flowers. I put them all in a pot of water in your creme-colored Le Creuset dutch oven - which you loved.

We steeped the petals and herbs and foliage to make your holy water - scented with lavender, fern, pine, sage. Your mother cut the shirt your were wearing off (that fucking neon shirt) and we tore it up to use for washing rags. Using your carefully curated mug collection, we dipped our mugs into the water and dipped the cloth into the mugs and washed you as we cried and passed around a bottle of whiskey.


"We should sing," someone said. But what? Does anyone have any song?


And another said. “Sea of love” and we laughed because why that? But it was perfect. And then we sang “Sea of love.” And as our voices sang “Come with me, my love, to the sea, the sea of love. I want to tell you how much I love you.” And then “dream a little dream of me” as a prayer to you to please visit us from wherever you must go.


And as our voices floated out the open window above your head to so you to began to float in bliss. Women, singing as they work, women singing over the bones as they have done for generations.


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After you were washed, we put alternating umber and white colored dots around your eyes, your afterworld makeup mask. We put this gorgeous red warrior stripe down the down the center of your lips.


Kelly, you loved it. We could all feel how INTO it you were.


We soaked small California poppy petals, fushia petals, and sage leaves in oil and make a necklace of them at your collarbone and around your belly button. We poured lavender, frankincense, and cypress oil all over your feet, hands, legs, belly, torso, collar bone, arms, and hands. Oh how we indulged in those expensive oils, pouring and pouring. And the room, oh the room smelled so amazing.


We tucked masses of fresh lavender and  bee balm under your neck and head - bright pink palms of petals that looked almost like earrings. Between your torso and arms we tucked hydrangea and echinacea. On your head was a crown made of ivy and cedar leaves.


We wept softly still, as the ancient hands made ready this vessel which had housed the soul and spirit of the woman we loved. Who loved us. There was such joy in the room that we got to be all together like this.


We painted your middle fingernails only, so you could return to earth with a great big fuck you to cancer.


"Middle fingers up, bitches,” I heard you say with a laugh.


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We finished getting you ready and called in the men, who placed a crown of ferns at your head and sage leaves at your feet and hands. You were ready.


We then opened a bottle of champagne to toast you, pouring a few drops in your lips and belly button. We rang the singing bowl three times. Oh how goddess-like you were, like Titania, the queen of the fairies.


We hugged, we laughed, we wept, someone put food and drink in us, we made such irreverent jokes and you were there, bounding around in curiosity, excitement, and love.


We lingered there.

And then it was time. We wailed. I fell to the ground on my knees and saw nothing but heard the young innocent cries around me. All of the children inside of us, all of the growing young women, the middle aged women, and our ancient crones...they all wept and wept and wept.


Through this sea of tears, you were carried into ancestry. As if the swell of our wailing waves propel you to the ancient ones.


Eventually, the wailing died down and we gradually began to come and go out of the room. In my time with you, I kissed your hands and studied your left arm - the tattoo too long covered by a sleeve. Hatch - it said.


I studied the markings, wanting to make myself drunk on you. Knowing I would never again behold this earthy visage.

The holy water cooked in your favorite Le Crueset dutch oven.

Jess's hand dipping into the holy water



x

At sunset, the call was made to have your body taken from us. Four of us sat in the room with you as they wrapped you in soft white cloth and placed you tenderly into a beautiful red velvet bag. I was nervous that this part would be gruesome, but it too was beautiful. They lovingly left your death outfit on, and we sent you with a great horned owl wing feather and a piece of danburite.


We walked out behind you ringing a bell and beating three drums, your funeral mourners. Yet, it didn’t feel sad to me, it felt sacred. Like the absolute holiest ground I’ve ever walked on. As they placed you in the car, we put a braid of sweetgrass on your head, and kept drumming as you drove away - kept playing until we couldn’t see the car anymore.




Photo by Kelly Clark 

And you, you eternal cowgirl...true to form, you rode off into the sunset.

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Many hours and much whiskey later, we burned every GodFuckingDamnit cancer book in the house we could find. And with it, we burned away the cancer from you, from Brad, from the house, from us all. Cancer's grip on you fell into ashes at our feet. 


Be well, bird."